We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.
/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €10 EUR  or more

     

  • Compact Disc (CD) + Digital Album

    Comes in a six side gatefold card case with all lyrics
    Photography by Andrea Wolf, www.wolfsmomente.de
    Artwork by www.manekineko.de

    Includes unlimited streaming of 11 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days

      €16 EUR or more 

     

  • Record/Vinyl + Digital Album

    Lovely double vinyl version with a gatefold jacket and lyrics included

    Includes unlimited streaming of 11 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    edition of 200 

      €29 EUR

     

1.
edit navigation bar Confession To A Future Lover (Radio Edit) by Joanna Gemma Auguri Wishlist supported by Glitta Wicca Matariki thumbnail kikkone thumbnail Edit Bulk Edit 00:00 / 03:37 Streaming + Download Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. name your price about Confession To A Future Lover (radio edit) is the first single from Joanna Gemma Auguris new album 11. How much do you reveal the cracks inside when you step closer to the other one? What will come to the surface when you get to know each other on a deeper level? It is an examination of the balance between autonomy and connection. Joanna wrote the song in absolute solitude in an old farm house by the baltic sea inspired by Book „The Stranger In The Woods“, the true Story of Christopher Knight, who escaped modern life and chose living alone in the forest for 27 years. The narrative and timelessness of her songs have echoes of Scott Walkers or Nick Cave's otherworldly atmospheres. It is an unusual blend of styles, an avant-garde balancing act between dark folk, poetry, film - and sad pop music. lyrics Here in the twilight Can i lean on you When i lose my mind Despite the pain Of a damaged heart Will you stay And i might Cut off the straps holding me tight Maybe i`ll fall apart Blow it all apart And i shall fall And rise again Will you take my hand Will you take then my hand Because my flesh faints My heart is insecure I don`t know what i`m doing My soul is unaware My sorrow seems endless The anger is so deep Still all this mess- Is not really me Why would you not Hold my hand in the dark Come we witness the night Passing by
2.
The Snow 03:27
3.
4.
You Hurt 05:38
5.
Moje Usta 04:00
6.
7.
8.
Here in the twilight Can i lean on you When i lose my mind Despite the pain Of a damaged heart Will you stay And i might Cut off the straps holding me tight Maybe i`ll fall apart Blow it all apart And i shall fall And rise again Will you take my hand Will you take then my hand Because my flesh faints My heart is insecure I don`t know what i`m doing My soul is unaware My sorrow seems endless The anger is so deep Still all this mess- Is not really me Why would you not Hold my hand in the dark Come we witness the night Passing by
9.
Ma Ganga 03:57
10.
On The Beach 05:10
11.
Outro 02:31

about

Joanna Gemma Auguri's new album was recorded on tape during the first Corona Lockdown. The number 11 stands for dreamers and idealists - and for new beginnings. One and one makes two, but each number remains alone, like two people who ultimately stand for themselves in this world, no matter how close they get.
The songs are an examination of loss, identity, and the ruptures we experience during our lives. The album is an analogue recording with as little editing as possible, and the use of nostalgic equipment conjures up the spirits of old times. Joanna`s voice is the axis around which everything revolves. It is mainly accompanied by the accordion, whose sound resembles a church organ and creates an orchestral and spiritual tension, or the zither and cello, which wind themselves around the depth of her words. The throbbing slowness and the sparse arrangements seem almost cathartic. There is a distinctive nature in her way to sing to the audience, an invitation into a private world where a broken heart can beat at its own pace. The result is as intimate as a live concert, an authentic and pure work with delicate and disarming honesty. Joanna Gemma Auguri breaks out of traditional songwriting and invents her own form of expression. Because music to her is a transformation that lets us see, that through the greatest pain, life still holds us tight. "Baby, you can not control it, it will swallow you anyway" (Molecules of Light).
"I wanted to create something true and unvarnished, as raw as i felt during this year, with all the cracks and contradictions as a contrast to this polished and digital world - says Joanna. 11 is a remarkable album in which the soliloquies of the unconscious find their way from the depths to the shimmering surface of a dark water: fragile, haunting and full of power.

credits

released April 23, 2021

Vocals, Accordion, Percussion by Joanna Gemma Auguri
Cello by Sebastian Selke

Recorded and Mixed by www.kozmicsound.de
Mastering by Arne Albrecht www.oakfield-mastering.de

Photography by Andrea Wolf www.wolfsmomente.de
Coverart by www.manekineko.de
All Songs by Joanna Gemma Auguri

To my wonderful friends and family
Thank you for your love and support

℗ & © 2021 Lavender Music / Tracks United
All rights reserved, made in EU
www.joannagemmaauguri.com

license

all rights reserved

tags

about

Joanna Gemma Auguri Berlin, Germany

Songs about lost ships and travelling souls and a haunted accordion.
Glamourous, mesmerising and sweetly weeping soundworlds
but there is always a light in the dark.

contact / help

Contact Joanna Gemma Auguri

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

If you like Joanna Gemma Auguri, you may also like: